Coleridge, Samuel Taylor. Poems on Various Subjects. for Robinson and Cottle (1796). Effusions Vii, Xi, Xii, And Xii Are SignedCl And Are First Editions Of Poems By Charles Lamb. Portions Of Another Poem Are By Robert Southey. This Is Coleridges First Book Of Poetry.
Coleridge, Samuel Taylor. Poems, by S.T. Coleridge. Printed by N. Biggs for J. Cottle, Bristol, and Robinsons (1797). Poems By S. T. Coleridge: To Which Are Now Added Poems By Charles Lamb And Charles Lloyd Containing The First Appearances Of Eleven New Poems By Coleridge And New Poems By Both Other Poets, IncludingSonnets 108,Childhood And Others By Lamb, AndSonnets,The Melancholy Man,Lines On The Death Of An Infant And Others By Lloyd.
Coleridge, Samuel Taylor. Lyrical Ballads. for Longman and Rees by Biggs (1800). Two Volumes By William Wordsworth; First Volume Appears ColeridgesThe Rime Of The Ancient Mariner,The Foster-Mothers Tale,The Nightingale,The Dungeon, And WordsworthsLines Written A Few Miles Above Tintern Abbey,The Thorn,The Idiot Boy,Simon Lee, The Old Huntsman, AndLines Written In Early Spring; The Second Volume Added Many Of Wordsworths Most Characteristic Works Such As TheLucy Poems,The Old Cumberland Beggar,Michael, A Pastoral, And Others.
Coleridge, Samuel Taylor. The Piccolomini. Longman and Reesm London (1800). Two Volumes Bound In One; Translated From The German Of Frederick Schiller Bound With The Death Of Wallenstein. A Tragedy In Five Acts.
Coleridge, Samuel Taylor. Lyrical Ballads with Pastoral and Other Poems. Longman and Rees (1802). The First American Edition Printed From The Second London Edition And Including The First Printing Of ColeridgesThe Rime Of The Ancient Mariner In America.
Coleridge, Samuel Taylor. Poems. Longman and Rees by Biggs (1803). Substantially Revised From The Editions Of 1796 And 1797.
Coleridge, Samuel Taylor. Omniana or Horae Otiosiores. Longman, Hurst, Rees, Orme and Brown (1812). Two Volumes; Joint Effort Between Southey And Coleridge, Containing 201 Contributions By Southey And 45 By Coleridge.
Coleridge, Samuel Taylor. Remorse. for W. Pople (1813). A Tragedy, In Five Acts;
Coleridge, Samuel Taylor. Christabel. for John Murray (1816). Kubla Khan, A Vision; The Pains Of Sleep;
Coleridge, Samuel Taylor. The Statesmans Manual. Gale and Fenner (1816). Or, The Bible The Best Guide To Political Skill And Foresight...A Lay Sermon Addressed To The Higher Classes Of Society With An Appendix Containing Comments And Essays Connected With The Study Of The Inspired Writings.
Coleridge, Samuel Taylor. Biographia Literaria. Rest Fenner (1817). Or Biographical Sketches Of My Literary Life And Opinions;
Coleridge, Samuel Taylor. Sibylline Leaves. Rest Fenner (1817). A Collection Of Poems
Coleridge, Samuel Taylor. Zapolya. for Rest Fenner (1817). A Christmas Tale In Two Parts; The Prelude EntitledThe Usurpers Fortune And The Seque EntitledThe Usurpers Fate
Coleridge, Samuel Taylor. The Friend. for Rest Fenner (1818). In Three Volumes;A Series Of Essays, In Three Volumes, To Aid In The Formation Of Fixed Principles In Politics, Morals, And Religion, With Literary Amusements Interspersed;
Coleridge, Samuel Taylor. Faustus. Boosey and Rodwell and Martin (1821). From The German Of Goethe [With] Retschs Series Of Twenty-Six Outlines Illustrative Of Goethes Tragedy Of Faust, Engraved From The Originals By Henry Moses. And An Analysis Of The Tragedy. Illustrated With Twenty-Six Engraved Plates Including Frontispiece By Henry Moses.
Coleridge, Samuel Taylor. Aids to Reflection. for Taylor and Hessey (1825). In The Formation Of A Manly Character On The Several Grounds Of Prudence, Morality, And Religion: Illustrated By Select Passages From Our Elder Divines, Especially From Archbishop Leighton
Coleridge, Samuel Taylor. The Bijou. William Pickering (1828). Or Annual Of Literature And The Arts; 15 Engraved Plates And Vignettes By Thomas Laurence, David Wilkie, Thomas Stothard, Richard Westall; Includes 5 Poems By Coleridge And Others By Charles And Caroline Lamb, T. Hood
Coleridge, Samuel Taylor. The Poetical Works. A. and W. Galignani (1829). Of Coleridge, Shelley, And Keats; Including The Drams Of Wallenstein, Remorse And Zapolya; Frontis Engraving By J. T. Wedgwood.
Coleridge, Samuel Taylor. The Poetical Works. William Pickering (1829). Of Coleridge, Shelley, And Keats; Including The Drams Of Wallenstein, Remorse And Zapolya.
Coleridge, Samuel Taylor. The Devils Walk. Walsh and Miller (1830). Joint Effort With Robert Southey; Designs By R. Cruikshank. London, Effingham Willson; Containing 201 Contributions By Southey And 45 By Coleridge.
Coleridge, Samuel Taylor. The Poetical Works. John Griggs, Philadelphia (1831). Joint Effort With John Keats, And Percy B. Shelley; Stereotyped By J. Howe. First American Edition.
Coleridge, Samuel Taylor. The Poetical Works. William Pickering (1834). Of Coleridge, Shelley, And Keats; Contents: V. 1. Juvenile Poems. Sibylline Leaves; V. 2. The Ancient Mariner. Christabel. Miscellaneous Poems. Remorse. Zapolya; V. 3. The Piccolomini. The Death Of Wallenstein. Love, Hope, And Patience In Education.
Coleridge, Samuel Taylor. Specimens of the Table Talk. John Murray (1835). 2 Volumes;Of The Late Samuel Taylor Coleridge
Coleridge, Samuel Taylor. The Literary Remains of Samuel Taylor Coleridge. William Pickering (1836). Four Volumes; Collected And Edited By Henry Nelson Coleridge
Coleridge, Samuel Taylor. The Friend. William Pickering (1837). Three Volume Set; A Series Of Essays To Aid In The Formation Of Fixed Principles In Politics, Morals, And Religion, With Literary Amusements Interspersed: By Samuel Taylor Coleridge. Third Edition: With The Authors Last Corrections And An Appendix, And With A Synoptical Table Of The Contents Of The Work. By Henry Nelson Coleridge. Pickerings Woodcut Device On The Titles.
Coleridge, Samuel Taylor. Aids to Reflection. William Pickering (1843). Two Volume Set; Edited By Henry Nelson Coleridge; First Published In 1825 AsAids To Reflection In The Formation Of A Manly Character, On The Several Grounds Of Prudence, Morality, And Religion.
Coleridge, Samuel Taylor. The Poetical and Dramatic Works of S. T. Coleridge. William Pickering (1844). Three Volumes; Edited By Henry Nelson Coleridge; Volume 1: Juvenile Poems, Sibylline Leaves., Volume 2: The Ancient Mariner, Christabel, Miscellaneous Poems, Remorse - A Tradegy, Zapolya - A Christmas Tale., Volume 3: The Piccolomini; Or, The First Part Of Wallenstein
Coleridge, Samuel Taylor. Christmas Tyde. William Pickering (1849). Compilation Attributed To Sara Coleridge (Daughter);A Series Of Sacred Songs And Poetical Pieces, Suited To The Season;
Coleridge, Samuel Taylor. Specimens of the Table Talk. John Murray (1851). Preface By Henry Nelson Coleridge.
Coleridge, Samuel Taylor. The Complete Works of Samuel Taylor Coleridge. Harper (1854). With An Introductory Essay Upon His Philosophical And Theological Opinions By Professor Shedd; 7 Volumes
Coleridge, Samuel Taylor. Osorio. London John Pearson (1873). 50 Numbered Copies; Edited By Richard Herne Shepherd;A Tragedy As Originally Written In 1797
Coleridge Samuel. LA CHANSON DU VIEUX MARIN. Hachette (1877). [The Rime Of The Ancient Mariner]. Each Work With Its Own Frontispiece, Engraved Vignette Title-Page And Two Other Vignettes As Chapter Headpieces And Both Sets With The 38 Full-Page Engraved Plates By Gustave Dore, One Set With The Captions In French, One Set With The Captions In English, A Total Of 80 Engraved Plates And Two Vignette Headpieces.
Coleridge, Samuel Taylor. The Rime of the Ancient Mariner. Harper and Brothers (1878). Illustrated By Gustave Dore; 39 Engraved Plates.
Coleridge, Samuel Taylor. The Rime of the Ancient Mariner. Harper and Brothers (1881). Illustrated By Gustave Dore With 40 Plates Of B/W Engravings;
Coleridge, Samuel Taylor. The Rime of the Ancient Mariner. Estes and Lauriat, Boston (1883). Illustrated By Gustave Dore, Birket Foster, And Others; 39 Gustave Dores Full Plates.The Book Combines Coleridges Famous Poem With Gustave Dore Who Is Considered Frances Best Woodblock Engraver Of The 19Th Century.
Coleridge, Samuel Taylor. The Rime of the Ancient Mariner. Pollard and Moss (1887). Illsutrated By Gustave Dore And Sir Joseph Noel Paton; 40 Full Page Plates By Dore, 20 Designs By Paton
Coleridge, Samuel Taylor. The Rime of the Ancient Mariner. Harper and Brothers (1888). Engraver, Gustave Dore
Coleridge, Samuel Taylor. Poems. Kelmscott Press (1896). 300 Copies; Edited By F.S. Ellis; Woodcut Floral Borders, And Woodcut Initials Designed By William Morris;Chosen Out Of The Works Of Samuel Taylor Coleridge;
Coleridge, Samuel T. The Rime of the Ancient Mariner. Hacon and Ricketts (1899). 210 Copies
Coleridge, Samuel Taylor. Twenty-Four Negro Melodies. Oliver Ditson, Boston (1905). Transcribed For Piano By Samuel Coleridge Taylor With A Preface By Booker T. Washington
Coleridge, Samuel Taylor. The Rhyme Of The Ancient Mariner. George Harrap (1910). 525 Numbered And Signed Copies By Willy Pogany, Artist. 20 Tipped-In Colour Plates and Text Illus. and Decoration By Willy Pogany.
Coleridge, Samuel Taylor. The Rime of the Ancient Mariner. Crowell (1910). The Letterpress And Line Illustrations Printed By Vincent Brooks, Day And Son, Ltd. And The Four Color Plates By Bemrose Dalziel, 19 Full Color Tipped In Plates Throughout The Book.
COLERIDGE, Samuel Taylor. The Rime of The Ancient Mariner. In Seven Parts. Presented by Willy Pogany.. George C. Harrap (1910). 20 Full Page Color Illustrations By Willy Pogany; 525 Copies. 25 Copies Printed On Vellum.
Coleridge, Samuel Taylor. The Rime of the Ancient Mariner. George H. Doran (1915). Illustrated By Willy Pogany;In Seven Parts;18 Tipped-In Color Plates And Other Illustrations;
Coleridge, Samuel Taylor. The Rime of the Ancient Mariner. John Henry Nash (1926). Designed And Printed By John Henry Nash In 1926 For Howard Griffith Of The American Engraving And Color Plate Co; Printed On Pannekoek Unbleached Papers, Woodcut Illustration Of A Sailing Ship After A Painting By Charles Robinson.
Coleridge, Samuel Taylor. The Rime of the Ancient Mariner. Douglas Cleverdon, Bristol (1929). 470 Copies; Copper Plates Printed By Walter L. Colls; Illustrated With 10 Copper-Engraved Plates (8 Full Page) Printed In A Green Wash By David Jones.
Coleridge, Samuel Taylor. Selected Poems. Nonesuch Press (1935). 500 Copies; Edited By Stephen Potter; Copies Designed By Francis Meynell; On Auvergne Hand Made Paper. Three Full Page Wood Engravings By Stefan Mrozewski;
Coleridge, Samuel Taylor. The Rime of the Ancient Mariner. Limited Editions Club (1945). 1500 Copies Signed By Edward A. Wilson, Illustrator; Hand-Colored By Charlize Brakeley
Coleridge, Samuel Taylor. The Rime of the Ancient Mariner. Allen and Richard Lane (1945). 700 Copies; Illustrated By Duncan Grant
Coleridge, Samuel Taylor. The Rime of the Ancient Mariner. Charles R. Wood (1952). 350 Copies; Gustave Dore, Illustrator
Coleridge, Samuel Taylor. The Collected Letters of Samuel Taylor Coleridge. Clarendon Press, Oxford (1956). Six Volumes; Edited By Earle Leslie Griggs
Coleridge, Samuel Taylor. The Notebooks of Samuel Taylor Coleridge. Routledge and Kegan Paul (1957). 4 Volumes.
Coleridge, Samuel Taylor. The Rime of the Ancient Mariner. Chilmark Press City (1964). 200 Copies; Ten Plates By David Jones, Half-Title, Title-Page, Note To This Edition, 5-Page Foreword By The Illustrator, 2 Vignette Illustrations To 37-Page Text.
Coleridge, Samuel Taylor. Marginalia. Bollingen Foundation, Princeton (1980). Collected Works Of Samuel Taylor Coleridge
Coleridge, Samuel Taylor. The Collected Works of Samuel Taylor Coleridge: Table Talk. Recorded by Henry Nelson Coleridge [and John Taylor Coleridge]. 2 volume set. Routledge and Kegan Paul Ltd (1990). Table Talk. Recorded By Henry Nelson Coleridge [And John Taylor Coleridge]. 2 Volume Set