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Soupault, Philippe (Text) - Marc Chagall (Ill.). Rose des vents. Avec quatre dessins de Marc Chagall.. Paris, Éditions Au Sans Pareil, 1920.

Price: US$135.53 + shipping

Description: Brosch. 8°, o. P.: 1 Vakatblatt, 24 Bl. mit Titelvignette u. 4 Tafeln, 1 Bl. Impressum. Rücken an der vorderen Kante berieben, an den Kapitalen durchgerieben, daher an den Kapitalen lädiert u. geleimt, Einband etw. lichtrandig u. tlw. fleckig, EA. (= Collection de Littérature, [Nr.] 5). Ex. Nr. 495 der 1000 Ex. der Normalausgabe «sur vélin d'Alfa» (neben 40 Ex. der Vorzugsausgaben in grösserem Format).

Seller: Antiquariat Uhlmann, Zürich, Switzerland

Philippe soupault. Rose des vents. Au sans pareil, Paris, 1920.

Price: US$208.50 + shipping

Condition: Fine

Description: Collection de littérature. Avec quatre dessins de Marc Chagall. Un des 1000 exemplaires sur vélin d'alfa (n°453). L'exemplaire est non coupé, en très bon état. 75g.

Seller: Livres d'Antan, Viarmes, France

Soupault, P.. Rose des vents. Avec quatre dessins de Marc Chagall. Édition du Au sans pareil, Paris, 1920.

Price: US$340.00 + shipping

Description: 8vo. S.P. Dedicado por el autor a Guillermo de Torre y con un poema manuscrito de Guillermo de Torre. Excelente dedicatoria al joven G. de Torre, quien pone dos veces su nombre en el libro. Además, dos poemas de Soupault traducidos manuscritos por G. de Torre.

Seller: Libreria de Antano (ILAB & ABA Members), Miami, FL, U.S.A.

CHAGALL, Marc (1887-1985) - SOUPAULT, Philippe (1897 - 1990).. Rose des Vents. Paris: Au Sans Pareil, 1920., 1920.

Price: US$1400.00 + shipping

Description: 4to., (10 6/8 x 7 7/8 inches). Half-title. Title-page with woodcut vignette, and 4 woodcut illustrations by Marc Chagall. Original buff pictorial paper wrappers, uncut (unevenly browned, one or two short tears); glassine dust jacket (torn with considerable loss). Provenance: from the library of Jacques Levy, his sale, Sotheby's, 20th April 2012, lot 310 First edition. Limited issue, no. XXII of 31 roman-numbered copies on Hollande van Gelder of a total edition of 1,040. Among Marc Chagall's earliest book illustrations, preceded by appearances in 1914 and 1918. With Andre Breton Soupault was one of the founders of the Surrealist movement: "Soupault's earliest verse collection, 'Aquarium' (1917), was published with the help of Guillaume Apollinaire, who introduced Soupault to André Breton. In 1919 Soupault, Breton, and Louis Aragon cofounded the review 'Littérature'. Originally drawn to the antirationalism of the Dada movement, Soupault soon rejected its nihilism, and he and Breton experimented with other revolutionary techniques. One result of their experimentation was the "automatic writing" of the jointly authored 'Les Champs magnétiques' (1920; 'The Magnetic Fields'), known as the first major Surrealist work. Soupault soon abandoned automatic writing to produce carefully crafted verses such as those in 'Westwego' (1922) and 'Georgia' (1926). As the Surrealist movement became increasingly dogmatic and political, Soupault grew dissatisfied with it and eventually broke with it and Breton" (Encyclopedia Britannica online).

Seller: Arader Galleries - AraderNYC, New York, NY, U.S.A.

SOUPAULT, Philippe and CHAGALL, Marc. ROSE DES VENTS. Au Sans Pareil, Paris, 1920.

Price: US$2000.00 + shipping

Description: Printed oversize wraps with glassine jacket. Half-title. Title-page with woodcut vignette, and 4 woodcut illustrations by Marc Chagall. (48) pp. Among Marc Chagall's earliest book illustrations, preceded only by appearances in 1914 and 1918. With Andre Breton, Soupault was one of the founders of the Surrealist movement: "Soupault's earliest verse collection, 'Aquarium' (1917), was published with the help of Guillaume Apollinaire, who introduced Soupault to André Breton. In 1919 Soupault, Breton, and Louis Aragon cofounded the review 'Littérature'. Originally drawn to the anti-rationalism of the Dada movement, Soupault soon rejected its nihilism, and he and Breton experimented with other revolutionary techniques. One result of their experimentation was the "automatic writing" of the jointly authored 'Les Champs magnétiques' (1920; 'The Magnetic Fields'), known as the first major Surrealist work. Soupault soon abandoned automatic writing to produce carefully crafted verses such as those in 'Westwego' (1922) and 'Georgia' (1926). As the Surrealist movement became increasingly dogmatic and political, Soupault grew dissatisfied with it and eventually broke with it and Breton" (Encyclopedia Britannica online). Exceptionally rare, one of 9 such copies. VG or better, glassine jacket with minor chipping, few tiny tears no significant loss (microscopic at best) 1 of 9 copies on Japon Imperial paper, Copy No. IV.

Seller: Mullen Books, ABAA, Marietta, PA, U.S.A.