Available Copies from Independent Booksellers
Price: US$20.66 + shipping
Condition: As New
Description: This specific softcover book is in like new condition with a cover that has sharp edges and corners and a tight binding. The pages are clean, crisp, unmarked and uncreased. We package all books in custom cardboard book boxes for shipment and ship daily with tracking numbers.; "Degrees of Stillness is a remarkable book, made possible by a remarkable collection that includes photographs by Etienne-Jules Marey, Alfred Stieglitz, Man Ray, Robert Mapplethorpe, El Lissitzky, Berenice Abbott, Richard Avedon, Sally Mann, David Hockney, Robert Rauschenberg, Roy Lichentstein and Andy Warhol. In an interview in 1995 Manfred Heiting said, "The only thing that unifies my collection is my passion for what is to me beautiful about photography. It was and is my goal to represent in my collection the history of the medium and its numerous applications, from about 1840 to the present." Almost every genre and every technique is represented. Detailed captions provide in-depth descriptions of each work's origin and the motivation of its creator, and a comprehensive index carries technical details. English/German"; 11.6 X 8.7 X 0.6 inches; 126 pages
Seller: Dr.Bookman - Books Packaged in Cardboard, Pittsburgh, PA, U.S.A.
Testino, Mario. Visionaire 35 Man. Visionaire, United Kingdom, 2001.
Price: US$153.99 + shipping
Description: I23 x 31cm unpaginated glossy magazine contained within a transparent wallet, front cover shows an image of a man wearing a high vis jacket. n Visionaire 35 MAN, Mario Testino, in his second run as guest editor, conceptualized the ultimate men s magazine complete with past icons and new heroes, advertisements from the 1970s, photographs made by famous women of their men, and man as seen by contemporary artists. Neville Wakefield edited an all-vellum section of video stills, Will McBride contributed a section called Manliness, and Mario Testino did Man at Work. More than one hundred contributors participated, including photographers Richard Avedon, Nick Knight, Mario Sorrenti, filmmakers Larry Clark and Sofia Coppola, gallerist Sadie Coles, music-video director Hype Williams, artist Sarah Lucas, and models Cindy Crawford, Gisele Bundchen, and Claudia Schiffer. One of a run of 6,000 limited edition copies. Near perfect, unopened, wrapped in polythene and contained in a white cardboard box. Near fine in slipcase and carboard box
Seller: Marcus Campbell Art Books, London, United Kingdom
Price: US$200.00 + shipping
Description: illustrated wraps w/ pink plastic outer shell. 200 pgs w/ illustrations. Limited to 6000 copies. content as follows: Having done an issue on woman, we decided the time had come to do one on man. Mario Testino, in his second run as guest editor, conceptualized the ultimate men's magazine complete with past icons and new heroes, advertisements from the 1970s, photographs made by famous women of their men, and man as seen by contemporary artists. Neville Wakefield edited an all-vellum section of video stills, Will McBride contributed a section called Manliness, and Mario Testino did Man at Work. More than one hundred contributors participated, including photographers Richard Avedon, Nick Knight, Mario Sorrenti; filmmakers Larry Clark, and Sofia Coppola; gallerist Sadie Coles; music-video director Hype Williams; artist Sarah Lucas; and models Cindy Crawford, Gisele Bundchen, and Claudia Schiffer.
Seller: Mullen Books, ABAA, Marietta, PA, U.S.A.
Avedon, Richard; Judith Thurman (text by). Made in France. Fraenkel Gallery [2001], 2001.
Price: US$375.00 + shipping
Condition: Near Fine
Description: Hardcover. First Edition. 15" x 11.5". 56 pp. Photographic illustrations with facsimile reproductions of Harper's Bazaar's working notebooks. Publisher's cardboard boards with paste-down illustrations to covers; tan cloth spine with titles in black. No DJ, as issued. Some wear to edges of boards; very faint rubbing to spine. Near Fine. ISBN 188133712.
Seller: Brattle Book Shop [ABAA, ILAB], Boston, MA, U.S.A.
TESTINO, Mario. Visionaire 35 Man. , 2001.
Price: US$450.00 + shipping
Condition: Fine
Description: Mario Testino 2001 12" x 9.25" This number 2051 in a limited edition of 6000 numbered copies In Visionaire 35 MAN, Mario Testino, in his second run as guest editor, conceptualized the ultimate menÕs magazine complete with past icons and new heroes, advertisements from the 1970s, photographs made by famous women of their men, and man as seen by contemporary artists. Neville Wakefield edited an all-vellum section of video stills, Will McBride contributed a section called Manliness, and Mario Testino did Man at Work. More than one hundred contributors participated, including photographers Richard Avedon, Nick Knight, Mario Sorrenti, filmmakers Larry Clark and Sofia Coppola, gallerist Sadie Coles, music-video director Hype Williams, artist Sarah Lucas, and models Cindy Crawford, Gisele Bundchen, and Claudia Schiffer.
Seller: The Cary Collection, Bristol, CT, U.S.A.
Avedon, Richard. Made in France. Fraenkel Gallery, San Francisco, CA, 2001.
Price: US$488.52 + shipping
Condition: Very Good
Description: Trade edition of 5,000 copies. Thick card covers with mounted photograph to the front board, cloth spine. Spine lettering faded and a few light bumps to the boards. A very good copy.
Seller: Karol Krysik Books ABAC/ILAB, IOBA, PBFA, Toronto, ON, Canada
Price: US$500.00 + shipping
Condition: Very Good
Description: First Edition of 5000 copies. 4to. Unpaginated. b/w photographic plates with facsimile reproductions of Avedons notebook pages. Illustrated boards with photographic illustrations and tan cloth binding lettered in black at spine. Board edges and corners show minor bumps and creases, lettering at spine slightly faded and soiling. Very Good.
Seller: Free Play Books, NEW HAVEN, CT, U.S.A.
Avedon, Richard. Made in France. Fraenkel Gallery, San Francisco, 2001.
Price: US$600.00 + shipping
Condition: Fine
Description: The catalogue for a fascinating show of Avedon's fashion photographs made in the 1950s for Harper's Bazaar magazine. These are working photographs, with Avedon's and the editorial department's notations on the front and back, here reproduced in full-size facsimile. Published in an edition of 5000 copies. With an essay by Judith Thurman; thumbnails of the magazine showing how the photographs appeared in print, and a one-page afterword by Avedon. [56] pages. 11 by 14-3/4 inches. First edition (one of 5000 copies). Tiny ding to lower front corner, else fine. No jacket, as issued. With two price sheets from the show (with prices for five images) laid in.
Seller: Downtown Brown Books, Portland, OR, U.S.A.
Richard Avedon. Richard Avedon Made in France. Fraenkel Gallery, San Francisco, 2001.
Price: US$600.00 + shipping
Condition: Fine
Description: Folio. Limited tro 5000 copies. Exhibition catalogue at Fraenkel Gallery, San Francisco November - December 2001. ("From Fair to Fine 20th Century Photography books that matter pp221).
Seller: Midway Book Store (ABAA), St. Paul, MN, U.S.A.
Avedon, Richard & Thurman, Judith ( PHOTOGRAPHY ). MADE IN FRANCE. Fraenkel Gallery, 2001.
Price: US$622.45 + shipping
Description: MADE IN FRANCE, Fraenkel Gallery, 2001, first edition, fine without dust-wrapper as issued. Profusely illustrated with photos executed in the 1950's when Avedon was doing photo shoots for Harper's Bazaar in Paris with essay by Judith Thurman. Some famous models photographed are Suzy Parker & Audrey Hepburn. 1/5,000 copies.
Seller: THE FINE BOOKS COMPANY / A.B.A.A / 1979, ROCHESTER, MI, U.S.A.
AVEDON, Richard & THURMAN, Judith. Made in France. Fraenkel Gallery, San Francisco, 2001.
Price: US$650.00 + shipping
Condition: Fine
Description: Illustrated with numerous wonderful b/w photographs and other pages, reproducing annotations and stains of originals. Thin folio, bound with heavy pictorial boards with a linen spine. (San Francisco: Fraenkel Gallery, 2001). First trade edition, one of 5000 copies. A fine copy, as new. Scarce.
Seller: Argosy Book Store, ABAA, ILAB, New York, NY, U.S.A.
judith thurman. richard avedon: made in france. frankel gallery, san francisco, 2001.
Price: US$715.00 + shipping
Description: first edition (limited), 2001. monograph featuring photographs and text by richard avedon, and an essay by judith thurman, new yorker staff writer. the images were originally made in paris for publication in harper's bazaar during the 1950s. book includes beautiful plates replicating the original harper's bazaar layouts. highly scarce. 1st edition limited to 5000 copies. san francisco: frankel gallery. isbn: 188133712x. 15 x 11". 28 pages. hardcover. very good +.
Seller: leaves, Brooklyn, NY, U.S.A.
Richard Avedon. Made in France. Fraenkel Gallery, San Francisco, 2001.
Price: US$716.34 + shipping
Condition: New
Description: Hardcover. Condition: NEW ( still in Publisher's Wrap). 1st Edition. First edition, first printing. Photographically illustrated laminated archival boards with title printed in brown on linen spine, and tritone plates tipped-in the front and rear covers; no dust jacket as issued. Photographs and text by Richard Avedon. Essay by Judith Thurman, staff writer for The New Yorker. Includes Harper's Bazaar layouts illustrating how the plates appeared in the published magazine. Designed by Gregory Wakabayashi. Unpaginated (56 pp.), with 40 tritone and four-color facsimile plates reproducing recto and verso production boards, with photographs, extensive notes on cropping, information on featured designs and page layout instructions, beautifully printed on coated cover stock paper 14-13/16 x 11-1/4 inches. Out of print. Very scarce. Published on the occasion of a 2001 exhibition at Fraenkel Gallery, San Francisco. This first edition was limited to 5000 copies. The book is protected by an archival heavy mylar cover. From the publisher: "This major new monograph stands as an important rediscovery of a small but central body of work in the career of one of the world's best known and beloved photographers. The Richard Avedon images presented here, many for the first time, were made in Paris for Harper's Bazaar during the 1950s. What is particularly special about this presentation is that the images are being reproduced to the exact scale of the engraver's prints made for Avedon by the master printer Andre Gremola, and are uncropped, on their original mounts, with all of the artist's notations on both front and back. Thus, they provide a remarkable portrait of the working methods of one of the most influential fashion photographers in history. This oversized book is being printed without compromise with tritone plates throughout, and will be a stunning object in its own right. With this body of work, which includes the photographer's iconographic Dovima with Elephants, Cirque d'Hiver, 1955, Avedon broke radical new ground in the history of photography. He documented the moment in which postwar France was striving through fashion to reclaim its cultural eminence. Judith Thurman, fashion writer for The New Yorker contributes the book's introduction.".
Seller: RICHARD & BOOKS, ANTWERP, Belgium
Avedon, Richard; Judith Thurman. Richard Avedon: Made in France. Fraenkel Gallery, 2001.
Price: US$750.00 + shipping
Description: Near fine with slight shelf wear
Seller: K & L KICKIN' BOOKS, Corinth, TX, U.S.A.
Richard Avedon. Made in France. Fraenkel Gallery, San Francisco, 2001.
Price: US$750.00 + shipping
Condition: Near Fine
Description: Fraenkel Gallery, San Francisco, 2001. Hardcover. Condition: Fine. First Edition. A Fine copy of the Trade Edition, Limited to 5000 copies. Illustrated boards with photo-insets, bound with canvas at the spine, without jacket as issued. A portfolio of plates from the 1950's [1955-59] when Avedon was working for Harper's Bazaar; presented as a facsimile of a working notebook, with photos in 8x10 contact print format. Accompanying essay, "Hidden Women," by Judith Thurman. The subject models include Suzy Parker, Gardner McKay, Audrey Hepburn, Buster Keaton, and Dovima (with the famous rearing elephants portrait). The movie Funny Face [Paramount Pictures, 1957, which starred Fred Astaire as the fashion photographer, and Audrey Hepburn as his model] was based largely on Avedon during this very period in his career. An inspired piece of bookmaking, capturing the spirit of the time in elegant and light-hearted imagery. C269LL.
Seller: Moe's Books, Berkeley, CA, U.S.A.
Price: US$750.00 + shipping
Description: Folio (15" x 11.5"), pictorial white boards, linen spine with printed title, etc.,reproduced rubber-stamp title on upper cover. 56 pp. 40 b&w illus. Author inscription on copyright map. CONDITION: Good+, light soiling to covers; contents bright and clean. First trade edition, inscribed by Avedon to fashion editor Polly Allen Mellen and her husband Henry as follows: "For dear Polly & Henry-a la recherche de temps perdu. Love Dick Avedon 2001." This exhibition catalog features Avedon's work for Harper's Bazaar in 1950s Paris complimented by images of period production notes, rescued and reproduced in their original form. One such note,by editor-in-chief Carmel Snow, regarding a photo with favorite model Suzy Parker modeling a Gres white chiffon evening gown, partying with two handsome males, instructs "Note how much you can see of the bosom." Other Avedon "stable" models pictured here include Audrey Hepburn (here with Art Buchwald!), Carmel, and China Machado. Gowns are from Balmain, Dior, Lanvin-Castillo and others, locations include Cafe des Beaux Arts, Moulin Rouge, Sheherazade in Paris. Commentary from Judith Furman, New Yorker fashion writer, describes the influence of Richard Avedon on the world of fashion photography, capturing the Paris bohemian culture as it was embraced by Hollywood films such as Sabrina, Funny Face, Gigi and American in Paris. About this book, Avedon said "A picture in a magazine is a view without a window. Here you have the window-the context of production. It's pure chance that these prints escaped the garbage pail." Polly Allen Mellen (1924-) was a fashion editor and stylist who worked for Harper's Bazaar (under Diana Vreeland) and later Vogue (under Vreeland and Grace Mirabella)-her career spanning over sixty years. She served as a nurse's aide during WWII and moved to New York in 1949. At Harper's Bazaar she met her future longtime collaborator Richard Avedon, who initially found Mellen "too noisy." In time, however, Avedon would describe her as "the most creative sittings editor I ever worked with." Mellen's work at Harper's and later Vogue, Nicolas Ghesquiere has argued, came to "define a new, more modern ethos about clothes and how women wore them. With an almost playful daring, [the ethos] brimmed with a kind of strong, smart, unabashedly celebratory feminine independence-as well as an artful element of provocation and extravagance-that Mellen herself embodied and drew upon in her collaborations" (Ghesquiere, Polly Mellen). Over the course of her career, Mellen worked with such photographers as Newton, Avedon, Arthur Elgort, Irving Penn, Steven Meisel, and Mario Testino. Polly and Henry Wigglesworth Mellen (1920-2014) married in 1965. Richard Avedon was born in New York in 1923, studied photography at the New School during the late 1940s, spent twenty years as a photographer for Harper's Bazaar creating iconic images we continue to recognize, moved to Vogue after disputes over his desire to work with models of color, became first staff photographer at the New Yorker.Avedon used his commercial work to support his social projects, and published many books including Portraits, Nothing Personal, Observations, and Evidence.
Seller: James Arsenault & Company, ABAA, Arrowsic, ME, U.S.A.
Avedon, Richard.. Made in France.. Fraenkel Gallery, San Francisco, 2001.
Price: US$825.00 + shipping
Condition: Fine
Description: A Fine copy of the Trade Edition, Limited to 5000 copies. Illustrated boards with photo-insets, bound with canvas at the spine, without jacket as issued. A portfolio of plates from the 1950's [1955-59] when Avedon was working for Harper's Bazaar; presented as a facsimile of a working notebook, with photos in 8x10 contact print format. Accompanying essay, "Hidden Women," by Judith Thurman. The subject models include Suzy Parker, Gardner McKay, Audrey Hepburn, Buster Keaton, and Dovima (with the famous rearing elephants portrait). The movie Funny Face [Paramount Pictures, 1957, which starred Fred Astaire as the fashion photographer, and Audrey Hepburn as his model] was based largely on Avedon during this very period in his career. An inspired piece of bookmaking, capturing the spirit of the time in elegant and light-hearted imagery. Q09046
Seller: Compass Rose Books, ABAA-ILAB, Kensington, CA, U.S.A.
Avedon, Richard. Richard Avedon: Made in France. Fraenkel Gallery, U.S.A., 2001.
Price: US$850.00 + shipping
Condition: New
Description: New! Still in publisher's shrink wrap. Profusely illustrated with photos executed in the 1950's when Avedon was doing photo shoots for Harper's Bazaar in Paris with essay by Judith Thurman. Some famous models photographed are Suzy Parker & Audrey Hepburn. 1/5,000 copies.
Seller: Assaf Books and Art, Palmdale, CA, U.S.A.
THURMAN, Judith [text by]. Richard Avedon Made In France. Fraenkel Gallery, 2001.
Price: US$950.00 + shipping
Condition: Fine
Description: THURMAN, Judith [text by] 2001 Fraenkel Gallery First Edition Trade Edition of 5000 copies 15" x 11 1/4" This major new monograph stands as an important rediscovery of a small but central body of work in the career of one of the world's best known and beloved photographers. The Richard Avedon images presented here, many for the first time, were made in Paris for "Harper's Bazaar" during the 1950s. What is particularly special about this presentation is that the images are being reproduced to the exact scale of the engraver's prints made for Avedon by the master printer Andre Gremola, and are uncropped, on their original mounts, with all of the artist's notations on both front and back. Thus, they provide a remarkable portrait of the working methods of one of the most influential fashion photographers in history. This oversized book is being printed without compromise with tritone plates throughout, and will be a stunning object in its own right. With this body of work, which includes the photographer's iconographic "Dovima with Elephants, Cirque d'Hiver, 1955", Avedon broke radical new ground in the history of photography. He documented the moment in which postwar France was striving through fashion to reclaim its cultural eminence. Judith Thurman, fashion writer for "The New Yorker" contributes the book's introduction.
Seller: The Cary Collection, Bristol, CT, U.S.A.
THURMAN, Judith [text by]. Made In France. Fraenkel Gallery, 2001.
Price: US$950.00 + shipping
Condition: Fine
Description: THURMAN, Judith [text by] Fraenkel Gallery 2001 Trade edition of 5000 copies 13 7/8" x 11 1/4" VG Scroll Down for (11) Additional Scans: This major new monograph stands as an important rediscovery of a small but central body of work in the career of one of the world's best known and beloved photographers. The Richard Avedon images presented here, many for the first time, were made in Paris for "Harper's Bazaar" during the 1950s. What is particularly special about this presentation is that the images are being reproduced to the exact scale of the engraver's prints made for Avedon by the master printer Andre Gremola, and are uncropped, on their original mounts, with all of the artist's notations on both front and back. Thus, they provide a remarkable portrait of the working methods of one of the most influential fashion photographers in history. This oversized book is being printed without compromise with tritone plates throughout, and will be a stunning object in its own right. With this body of work, which includes the photographer's iconographic "Dovima with Elephants, Cirque d'Hiver, 1955", Avedon broke radical new ground in the history of photography. He documented the moment in which postwar France was striving through fashion to reclaim its cultural eminence. Judith Thurman, fashion writer for "The New Yorker" contributes the book's introduction.
Seller: The Cary Collection, Bristol, CT, U.S.A.
Price: US$1045.00 + shipping
Condition: Fine
Description: First edition, first printing. Hardcover. Photographically illustrated laminated archival boards with title printed in brown on linen spine, and tritone plates tipped-in the front and rear covers; no dust jacket as issued. Photographs and text by Richard Avedon. Essay by Judith Thurman, staff writer for The New Yorker. Includes Harper's Bazaar layouts illustrating how the plates appeared in the published magazine. Designed by Gregory Wakabayashi. Unpaginated (56 pp.), with 40 tritone and four-color facsimile plates reproducing recto and verso production boards, with photographs, extensive notes on cropping, information on featured designs and page layout instructions, beautifully printed on coated cover stock paper by Meridian Printing, East Greenwich, Rhode Island, from separations by Martin Senn, Philomont, Virginia. 14-13/16 x 11-1/4 inches. Out of print. Very scarce. Published on the occasion of a 2001 exhibition at Fraenkel Gallery, San Francisco. This first edition was limited to 5000 copies. Fine. A Mint copy. The book is protected by an archival heavy mylar cover. From the publisher: "This major new monograph stands as an important rediscovery of a small but central body of work in the career of one of the world's best known and beloved photographers. The Richard Avedon images presented here, many for the first time, were made in Paris for Harper's Bazaar during the 1950s. What is particularly special about this presentation is that the images are being reproduced to the exact scale of the engraver's prints made for Avedon by the master printer Andre Gremola, and are uncropped, on their original mounts, with all of the artist's notations on both front and back. Thus, they provide a remarkable portrait of the working methods of one of the most influential fashion photographers in history. This oversized book is being printed without compromise with tritone plates throughout, and will be a stunning object in its own right. With this body of work, which includes the photographer's iconographic Dovima with Elephants, Cirque d'Hiver, 1955, Avedon broke radical new ground in the history of photography. He documented the moment in which postwar France was striving through fashion to reclaim its cultural eminence. Judith Thurman, fashion writer for The New Yorker contributes the book's introduction."
Seller: Vincent Borrelli, Bookseller, Albuquerque, NM, U.S.A.
Judith Thurman. Richard Avedon: Made in France. San Francisco: Fraenkel Gallery, 2001.
Price: US$1228.73 + shipping
Description: First edition (first printing). Signed copy. Hardback. Physically 14¾" x 11¼" (1.6 kg); 0pp; Signed by the author, in name only, on the title page without provenance. This copy is not numbered and lacks the slipcase/signed print of the limited edition so is near certain of the 5000 trade edition. Includes: Black & white photographs, within the text with most full page; Colour photographs; ISBN: 1-8813-3712-X || The book is on my shelves and will be carefully packed and posted from the pastoral paradise of Peasedown St. John, Bath, by a real bookseller in a real book shop - with my personal guarantee and my beady eye on the Consumer Contracts Regulations. REMEMBER! Buying my copy means the bookshop Jack Russells get their supper! My Book #197086|| Condition: Very Good. Just a hint of fading to the spine.
Seller: BookLovers of Bath, Peasedown St. John, BATH, United Kingdom
Avedon, Richard. Made in France (Signed). Fraenkel Gallery, U.S.A., 2001.
Price: US$1450.00 + shipping
Condition: Fine
Description: Baldly signed by Richard Avedon on the end paper! Condition is fine. Flawless copy!! Profusely illustrated with photos executed in the 1950's when Avedon was doing photo shoots for Harper's Bazaar in Paris with essay by Judith Thurman. Some famous models photographed are Suzy Parker & Audrey Hepburn. 1/5,000 copies.
Seller: Assaf Books and Art, Palmdale, CA, U.S.A.
Price: US$2181.99 + shipping
Condition: Very Good
Description: Von 5000 Exemplaren, die erschienen sind, habe ich eines. Die Fotos sind sensationell, schwarz/weiß und typisch für die Modeepoche von Dior und Grès in den 50zigern. Die Fotomodelle sind mit Namen und Details beschrieben, z.B. welchen Schmuck, Farbe des Kleides und wo und wann aufgenommen. Es ist ein echtes Sammlerstück für Liebhaber dieser Fotographien und Mode. Die Buchseiten sind aus Karton, stabil wie ein Kinderbuch, die Fotos sind mit Randbemerkungen des Designers und des Fotografen versehen, was dem Buch einen "Entwurf-Buch" verleiht. Die Farbe des Buchen ist die eines vergilbten Papiers, leicht fleckig bräunlich mit kleinen schwarzen Punkten drauf. Das ist durchaus gewollt und zeichnet das Buch als stylisch aus. Avedon war halt seiner Zeit voraus. I received this book as a gift shortly after it came out. The photos are absolutely stunning, and I love the "rough" presentation. It really shows Avedon's talent- these photos are all amazing in their raw state. I never get tired of looking at this book, and as tempting as it was as a starving college student to sell it, I never could. I always joked that I'd rather take it with me to my cardboard box under the bridge than ever sell it. Who gives a ding-dong if Avedon is mining his archives for book material. This stuff is great and I like the way it has been put together. It's a fun, loose design balanced by elegantly composed and seen photographs. Most of his books have been very clean from start to finish. That wouldn't be good for this project. This work is wet and playful without losing all the good stuff. It's a fresh jelly donut with the perfect ratio of jelly to donut. At no point during the experience does it fall apart and there is goodness in every page. No one individual has made such an impact on my career than Richard Avedon. He has embodied everything there is to be sais about fashion and photography with the photograph. This book is no exception. Zusatzinfo 40 colour Verlagsort San Francisco Sprache englisch Maße 310 x 370 mm Kunst Musik Theater Fotokunst ISBN-10 1-881337-12-X / 188133712X ISBN-13 978-1-881337-12-6 / 9781881337126 Richard Avedon Made in France (Englisch) [Hardcover] Judith Thurman (Autor) In englischer Sprache. 56 pages. 28,6 x 1,3 x 37,5 cm
Seller: BUCHSERVICE / ANTIQUARIAT Lars Lutzer, Wahlstedt, Germany