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Eugene, Frank. DIREKTOR F. GOETZ. Alfred Stieglitz, New York, 1910.

Price: US$500.00 + shipping

Description: Hand-pulled photogravure, 5 x 6 15/16 inches [12.7 x 17.6 cm] printed on tissue and tipped on to the original laid paper leaf, 11 3/4 x 8 1/8 inches [29.85x 20.96 cm]. Archivally matted on rag board with window overmat. Signed in the plate by the photographer. Fine. The image is a fine full-tone photogravure from CAMERA WORK 31, 1910. Frank Eugene Smith (1865-1936, NYC) studied at the City College of New York and in Munich, at the Bavarian Academy of Fine Arts. He was initially a painter and turned to photography, primarily portraiture, in the Pictorialist style. He held his first exhibit at The Camera Club of New York in 1899, was elected to The Linked Ring in 1900, and in 1902, he was one of the founding members of the Photo-Secession. He moved permanently to Germany in 1906, where he worked with several prominent painters, many of which he subsequently memorialized in photographic portraits. In 1913, he was appointed Royal Professor of the Graphic Arts of Leipzig, a professorship, created especially for Eugene, which was the first chair for pictorial photography at any art academy. Frank Eugene is considered a master of the manipulated image. Weston Naef described his style: "The very boldness with which Eugene manipulated the negative by scratching and painting forced even those with strong sympathy for the purist line of thinking like White, Day and Stieglitz to admire Eugene's particular touch.he created a new syntax for the photographic vocabulary, for no one before him had hand-worked negatives with such painterly intentions and skill unsurpassed by his successors." The Collection of Alfred Stieglitz: Fifty Pioneers of Modern Photography. New York: Metropolitan Museum of Art, 1978. p. 345-346.

Seller: Andrew Cahan: Bookseller, Ltd., ABAA, Akron, OH, U.S.A.

Eugene, Frank. FRITZ v. UHDE. Alfred Stieglitz, New York, 1910.

Price: US$650.00 + shipping

Description: Hand-pulled photogravure, 7 x 5 inches [17.7 x 12.5 cm] printed on tissue and tipped on to the original laid paper leaf, 11 3/4 x 8 1/8 inches [29.85x 20.96 cm]. Archivally matted on rag board with window overmat. Signed in the plate by the photographer. Fine. The image is a fine full-tone photogravure from CAMERA WORK 31, 1910. Frank Eugene Smith (1865-1936, NYC) studied at the City College of New York and in Munich, at the Bavarian Academy of Fine Arts. He was initially a painter and turned to photography, primarily portraiture, in the Pictorialist style. He held his first exhibit at The Camera Club of New York in 1899, was elected to The Linked Ring in 1900, and in 1902, he was one of the founding members of the Photo-Secession. He moved permanently to Germany in 1906, where he worked with several prominent painters, many of which he subsequently memorialized in photographic portraits. In 1913, he was appointed Royal Professor of the Graphic Arts of Leipzig, a professorship, created especially for Eugene, which was the first chair for pictorial photography at any art academy. Frank Eugene is considered a master of the manipulated image. Weston Naef described his style: "The very boldness with which Eugene manipulated the negative by scratching and painting forced even those with strong sympathy for the purist line of thinking like White, Day and Stieglitz to admire Eugene's particular touch.he created a new syntax for the photographic vocabulary, for no one before him had hand-worked negatives with such painterly intentions and skill unsurpassed by his successors." The Collection of Alfred Stieglitz: Fifty Pioneers of Modern Photography. New York: Metropolitan Museum of Art, 1978. p. 345-346.

Seller: Andrew Cahan: Bookseller, Ltd., ABAA, Akron, OH, U.S.A.

Eugene, Frank. PROF. ADOLF HENGELER. Alfred Stieglitz, New York, 1910.

Price: US$650.00 + shipping

Description: Hand-pulled photogravure, 6 3/4 x 4 7/8 inches [17.1 x 12.4 cm], printed on tissue and tipped on to the original laid paper leaf, 11 3/4 x 8 1/8 inches [29.85x 20.96 cm]. Archivally matted on rag board with window overmat. Signed in the plate by the photographer. Fine. The image is a fine full-tone photogravure from CAMERA WORK 31, 1910. Frank Eugene Smith (1865-1936, NYC) studied at the City College of New York and in Munich, at the Bavarian Academy of Fine Arts. He was initially a painter and turned to photography, primarily portraiture, in the Pictorialist style. He held his first exhibit at The Camera Club of New York in 1899, was elected to The Linked Ring in 1900, and in 1902, he was one of the founding members of the Photo-Secession. He moved permanently to Germany in 1906, where he worked with several prominent painters, many of which he subsequently memorialized in photographic portraits. In 1913, he was appointed Royal Professor of the Graphic Arts of Leipzig, a professorship, created especially for Eugene, which was the first chair for pictorial photography at any art academy. Frank Eugene is considered a master of the manipulated image. Weston Naef described his style: "The very boldness with which Eugene manipulated the negative by scratching and painting forced even those with strong sympathy for the purist line of thinking like White, Day and Stieglitz to admire Eugene's particular touch.he created a new syntax for the photographic vocabulary, for no one before him had hand-worked negatives with such painterly intentions and skill unsurpassed by his successors." The Collection of Alfred Stieglitz: Fifty Pioneers of Modern Photography. New York: Metropolitan Museum of Art, 1978. p. 345-346.

Seller: Andrew Cahan: Bookseller, Ltd., ABAA, Akron, OH, U.S.A.

Eugene, Frank. DR. GEORG HIRTH. Alfred Stieglitz, New York, 1910.

Price: US$650.00 + shipping

Description: Hand-pulled photogravure, 6 3/4 x 4 3/4 inches [17.1 x 12.1 cm], printed on tissue and tipped on to the original laid paper leaf, 11 3/4 x 8 1/8 inches [29.85x 20.96 cm]. Archivally matted on rag board with window overmat. Signed in the plate by the photographer. Fine. The image is a fine full-tone photogravure from CAMERA WORK 31, 1910. Frank Eugene Smith (1865-1936, NYC) studied at the City College of New York and in Munich, at the Bavarian Academy of Fine Arts. He was initially a painter and turned to photography, primarily portraiture, in the Pictorialist style. He held his first exhibit at The Camera Club of New York in 1899, was elected to The Linked Ring in 1900, and in 1902, he was one of the founding members of the Photo-Secession. He moved permanently to Germany in 1906, where he worked with several prominent painters, many of which he subsequently memorialized in photographic portraits. In 1913, he was appointed Royal Professor of the Graphic Arts of Leipzig, a professorship, created especially for Eugene, which was the first chair for pictorial photography at any art academy. Frank Eugene is considered a master of the manipulated image. Weston Naef described his style: "The very boldness with which Eugene manipulated the negative by scratching and painting forced even those with strong sympathy for the purist line of thinking like White, Day and Stieglitz to admire Eugene's particular touch.he created a new syntax for the photographic vocabulary, for no one before him had hand-worked negatives with such painterly intentions and skill unsurpassed by his successors." The Collection of Alfred Stieglitz: Fifty Pioneers of Modern Photography. New York: Metropolitan Museum of Art, 1978. p. 345-346.

Seller: Andrew Cahan: Bookseller, Ltd., ABAA, Akron, OH, U.S.A.

Eugene, Frank. PROF. ADOLF v. SEITZ. Alfred Stieglitz, New York, 1910.

Price: US$650.00 + shipping

Description: Hand-pulled photogravure, 6 5/8 x 4 3/4 inches [16.7 x 12.1 cm] printed on tissue and tipped on to the original laid paper leaf, 11 3/4 x 8 1/8 inches [29.85x 20.96 cm]. Archivally matted on rag board with window overmat. Signed in the plate by the photographer. Fine. The image is a fine full-tone photogravure from CAMERA WORK 31, 1910. Frank Eugene Smith (1865-1936, NYC) studied at the City College of New York and in Munich, at the Bavarian Academy of Fine Arts. He was initially a painter and turned to photography, primarily portraiture, in the Pictorialist style. He held his first exhibit at The Camera Club of New York in 1899, was elected to The Linked Ring in 1900, and in 1902, he was one of the founding members of the Photo-Secession. He moved permanently to Germany in 1906, where he worked with several prominent painters, many of which he subsequently memorialized in photographic portraits. In 1913, he was appointed Royal Professor of the Graphic Arts of Leipzig, a professorship, created especially for Eugene, which was the first chair for pictorial photography at any art academy. Frank Eugene is considered a master of the manipulated image. Weston Naef described his style: "The very boldness with which Eugene manipulated the negative by scratching and painting forced even those with strong sympathy for the purist line of thinking like White, Day and Stieglitz to admire Eugene's particular touch.he created a new syntax for the photographic vocabulary, for no one before him had hand-worked negatives with such painterly intentions and skill unsurpassed by his successors." The Collection of Alfred Stieglitz: Fifty Pioneers of Modern Photography. New York: Metropolitan Museum of Art, 1978. p. 345-346.

Seller: Andrew Cahan: Bookseller, Ltd., ABAA, Akron, OH, U.S.A.

Eugene, Frank. WILLI GEIGER. Alfred Stieglitz, New York, 1910.

Price: US$650.00 + shipping

Description: Hand-pulled photogravure, 7 x 5 1/16 inches [17.5 x 12.7 cm] printed on tissue and tipped on to the original laid paper leaf, 11 3/4 x 8 1/8 inches [29.85x 20.96 cm]. Archivally matted on rag board with window overmat. Signed in the plate by the photographer. Fine. The image is a fine full-tone photogravure from CAMERA WORK 31, 1910. Frank Eugene Smith (1865-1936, NYC) studied at the City College of New York and in Munich, at the Bavarian Academy of Fine Arts. He was initially a painter and turned to photography, primarily portraiture, in the Pictorialist style. He held his first exhibit at The Camera Club of New York in 1899, was elected to The Linked Ring in 1900, and in 1902, he was one of the founding members of the Photo-Secession. He moved permanently to Germany in 1906, where he worked with several prominent painters, many of which he subsequently memorialized in photographic portraits. In 1913, he was appointed Royal Professor of the Graphic Arts of Leipzig, a professorship, created especially for Eugene, which was the first chair for pictorial photography at any art academy. Frank Eugene is considered a master of the manipulated image. Weston Naef described his style: "The very boldness with which Eugene manipulated the negative by scratching and painting forced even those with strong sympathy for the purist line of thinking like White, Day and Stieglitz to admire Eugene's particular touch.he created a new syntax for the photographic vocabulary, for no one before him had hand-worked negatives with such painterly intentions and skill unsurpassed by his successors." The Collection of Alfred Stieglitz: Fifty Pioneers of Modern Photography. New York: Metropolitan Museum of Art, 1978. p. 345-346.

Seller: Andrew Cahan: Bookseller, Ltd., ABAA, Akron, OH, U.S.A.

Eugene, Frank. PROF. FRANZ v. STUCK. Alfred Stieglitz, New York, 1910.

Price: US$650.00 + shipping

Description: Hand-pulled photogravure, 6 3/4 x 4 3/4 inches [17.1 x 12 cm], printed on tissue and tipped on to the original laid paper leaf, 11 3/4 x 8 1/8 inches [29.85x 20.96 cm]. Archivally matted on rag board with window overmat. Signed in the plate by the photographer. Fine. The image is a fine full-tone photogravure from CAMERA WORK 31, 1910. Frank Eugene Smith (1865-1936, NYC) studied at the City College of New York and in Munich, at the Bavarian Academy of Fine Arts. He was initially a painter and turned to photography, primarily portraiture, in the Pictorialist style. He held his first exhibit at The Camera Club of New York in 1899, was elected to The Linked Ring in 1900, and in 1902, he was one of the founding members of the Photo-Secession. He moved permanently to Germany in 1906, where he worked with several prominent painters, many of which he subsequently memorialized in photographic portraits. In 1913, he was appointed Royal Professor of the Graphic Arts of Leipzig, a professorship, created especially for Eugene, which was the first chair for pictorial photography at any art academy. Frank Eugene is considered a master of the manipulated image. Weston Naef described his style: "The very boldness with which Eugene manipulated the negative by scratching and painting forced even those with strong sympathy for the purist line of thinking like White, Day and Stieglitz to admire Eugene's particular touch.he created a new syntax for the photographic vocabulary, for no one before him had hand-worked negatives with such painterly intentions and skill unsurpassed by his successors." The Collection of Alfred Stieglitz: Fifty Pioneers of Modern Photography. New York: Metropolitan Museum of Art, 1978. p. 345-346.

Seller: Andrew Cahan: Bookseller, Ltd., ABAA, Akron, OH, U.S.A.

Eugene, Frank. HORTENSIA. Alfred Stieglitz, New York, 1910.

Price: US$750.00 + shipping

Description: Hand-pulled photogravure, 7 x 5 inches [17.5 x 12.5 cm] printed on tissue and tipped on to the original laid paper leaf, 11 3/4 x 8 1/8 inches [29.85x 20.96 cm]. Archivally matted on rag board with window overmat. Signed in the plate by the photographer. Fine. The image is a fine full-tone photogravure from CAMERA WORK 31, 1910. Frank Eugene Smith (1865-1936, NYC) studied at the City College of New York and in Munich, at the Bavarian Academy of Fine Arts. He was initially a painter and turned to photography, primarily portraiture, in the Pictorialist style. He held his first exhibit at The Camera Club of New York in 1899, was elected to The Linked Ring in 1900, and in 1902, he was one of the founding members of the Photo-Secession. He moved permanently to Germany in 1906, where he worked with several prominent painters, many of which he subsequently memorialized in photographic portraits. In 1913, he was appointed Royal Professor of the Graphic Arts of Leipzig, a professorship, created especially for Eugene, which was the first chair for pictorial photography at any art academy. Frank Eugene is considered a master of the manipulated image. Weston Naef described his style: "The very boldness with which Eugene manipulated the negative by scratching and painting forced even those with strong sympathy for the purist line of thinking like White, Day and Stieglitz to admire Eugene's particular touch.he created a new syntax for the photographic vocabulary, for no one before him had hand-worked negatives with such painterly intentions and skill unsurpassed by his successors." The Collection of Alfred Stieglitz: Fifty Pioneers of Modern Photography. New York: Metropolitan Museum of Art, 1978. p. 345-346.

Seller: Andrew Cahan: Bookseller, Ltd., ABAA, Akron, OH, U.S.A.

Eugene, Frank. KIMONO-FRL. v. S. [Friedel Wearing a Kimono]. Alfred Stieglitz, New York, 1910.

Price: US$750.00 + shipping

Description: Hand-pulled photogravure, 6 7/8 x 5 inches [17.4 x 12.5 cm], printed on tissue and tipped on to the original laid paper leaf, 11 3/4 x 8 1/8 inches [29.85x 20.96 cm]. Archivally matted on rag board with window overmat. Signed in the plate by the photographer. Fine. The image is a fine full-tone photogravure from CAMERA WORK 31, 1910. Frank Eugene Smith (1865-1936, NYC) studied at the City College of New York and in Munich, at the Bavarian Academy of Fine Arts. He was initially a painter and turned to photography, primarily portraiture, in the Pictorialist style. He held his first exhibit at The Camera Club of New York in 1899, was elected to The Linked Ring in 1900, and in 1902, he was one of the founding members of the Photo-Secession. He moved permanently to Germany in 1906, where he worked with several prominent painters, many of which he subsequently memorialized in photographic portraits. In 1913, he was appointed Royal Professor of the Graphic Arts of Leipzig, a professorship, created especially for Eugene, which was the first chair for pictorial photography at any art academy. Frank Eugene is considered a master of the manipulated image. Weston Naef described his style: "The very boldness with which Eugene manipulated the negative by scratching and painting forced even those with strong sympathy for the purist line of thinking like White, Day and Stieglitz to admire Eugene's particular touch.he created a new syntax for the photographic vocabulary, for no one before him had hand-worked negatives with such painterly intentions and skill unsurpassed by his successors." The Collection of Alfred Stieglitz: Fifty Pioneers of Modern Photography. New York: Metropolitan Museum of Art, 1978. p. 345-346.

Seller: Andrew Cahan: Bookseller, Ltd., ABAA, Akron, OH, U.S.A.

Eugene, Frank. FRAU LUDWIG v. HOHLWEIN. Alfred Stieglitz, New York, 1910.

Price: US$750.00 + shipping

Description: Hand-pulled photogravure, 4 7/8 x 7 inches [12.4 x 17.7 cm], printed on tissue and tipped on to the original laid paper leaf, 11 3/4 x 8 1/8 inches [29.85x 20.96 cm]. Archivally matted on rag board with window overmat. Signed in the plate by the photographer. Fine. The image is a fine full-tone photogravure from CAMERA WORK 31, 1910. Frank Eugene Smith (1865-1936, NYC) studied at the City College of New York and in Munich, at the Bavarian Academy of Fine Arts. He was initially a painter and turned to photography, primarily portraiture, in the Pictorialist style. He held his first exhibit at The Camera Club of New York in 1899, was elected to The Linked Ring in 1900, and in 1902, he was one of the founding members of the Photo-Secession. He moved permanently to Germany in 1906, where he worked with several prominent painters, many of which he subsequently memorialized in photographic portraits. In 1913, he was appointed Royal Professor of the Graphic Arts of Leipzig, a professorship, created especially for Eugene, which was the first chair for pictorial photography at any art academy. Frank Eugene is considered a master of the manipulated image. Weston Naef described his style: "The very boldness with which Eugene manipulated the negative by scratching and painting forced even those with strong sympathy for the purist line of thinking like White, Day and Stieglitz to admire Eugene's particular touch.he created a new syntax for the photographic vocabulary, for no one before him had hand-worked negatives with such painterly intentions and skill unsurpassed by his successors." The Collection of Alfred Stieglitz: Fifty Pioneers of Modern Photography. New York: Metropolitan Museum of Art, 1978. p. 345-346.

Seller: Andrew Cahan: Bookseller, Ltd., ABAA, Akron, OH, U.S.A.

Eugene, Frank. NUDE - A CHILD. Alfred Stieglitz, New York, 1910.

Price: US$750.00 + shipping

Description: Hand-pulled photogravure, 6 13/16 x 4 13/16 inches [17.3 x 12.1 cm], printed on tissue and tipped on to the original laid paper leaf, 11 3/4 x 8 1/8 inches [29.85x 20.96 cm]. Archivally matted on rag board with window overmat. Signed in the plate by the photographer. Fine. The image is a fine full-tone photogravure from CAMERA WORK 31, 1910. Frank Eugene Smith (1865-1936, NYC) studied at the City College of New York and in Munich, at the Bavarian Academy of Fine Arts. He was initially a painter and turned to photography, primarily portraiture, in the Pictorialist style. He held his first exhibit at The Camera Club of New York in 1899, was elected to The Linked Ring in 1900, and in 1902, he was one of the founding members of the Photo-Secession. He moved permanently to Germany in 1906, where he worked with several prominent painters, many of which he subsequently memorialized in photographic portraits. In 1913, he was appointed Royal Professor of the Graphic Arts of Leipzig, a professorship, created especially for Eugene, which was the first chair for pictorial photography at any art academy. Frank Eugene is considered a master of the manipulated image. Weston Naef described his style: "The very boldness with which Eugene manipulated the negative by scratching and painting forced even those with strong sympathy for the purist line of thinking like White, Day and Stieglitz to admire Eugene's particular touch.he created a new syntax for the photographic vocabulary, for no one before him had hand-worked negatives with such painterly intentions and skill unsurpassed by his successors." The Collection of Alfred Stieglitz: Fifty Pioneers of Modern Photography. New York: Metropolitan Museum of Art, 1978. p. 345-346.

Seller: Andrew Cahan: Bookseller, Ltd., ABAA, Akron, OH, U.S.A.

Eugene, Frank. H.R.M.RUPPRECHT, PRINCE OF BAVARIA. Alfred Stieglitz, New York, 1910.

Price: US$750.00 + shipping

Description: Hand-pulled photogravure, 9 3/16 x 6 1/2 inches [23.4 x 16.5 cm], printed on tissue and tipped on to the original laid paper leaf, 11 3/4 x 8 1/8 inches [29.85x 20.96 cm]. Archivally matted on rag board with window overmat. Signed in the plate by the photographer. Fine. The image is a fine full-tone photogravure from CAMERA WORK 31, 1910. Frank Eugene Smith (1865-1936, NYC) studied at the City College of New York and in Munich, at the Bavarian Academy of Fine Arts. He was initially a painter and turned to photography, primarily portraiture, in the Pictorialist style. He held his first exhibit at The Camera Club of New York in 1899, was elected to The Linked Ring in 1900, and in 1902, he was one of the founding members of the Photo-Secession. He moved permanently to Germany in 1906, where he worked with several prominent painters, many of which he subsequently memorialized in photographic portraits. In 1913, he was appointed Royal Professor of the Graphic Arts of Leipzig, a professorship, created especially for Eugene, which was the first chair for pictorial photography at any art academy. Frank Eugene is considered a master of the manipulated image. Weston Naef described his style: "The very boldness with which Eugene manipulated the negative by scratching and painting forced even those with strong sympathy for the purist line of thinking like White, Day and Stieglitz to admire Eugene's particular touch.he created a new syntax for the photographic vocabulary, for no one before him had hand-worked negatives with such painterly intentions and skill unsurpassed by his successors." The Collection of Alfred Stieglitz: Fifty Pioneers of Modern Photography. New York: Metropolitan Museum of Art, 1978. p. 345-346.

Seller: Andrew Cahan: Bookseller, Ltd., ABAA, Akron, OH, U.S.A.

Stieglitz, Alfred (ed.); Frank Eugene (photography by); Maurice Maeterlinck (essay by). Camera Work, No. 31. An Illustrated Quarterly Magazine Devoted to Photography (WITH IMAGES BY FRANK EUGENE) [MISSING 2 PLATES] [FROM THE LIBRARY OF AGNES ERNST MEYER*]. Alfred Stieglitz, New York, 1910.

Price: US$1500.00 + shipping

Description: Folio. 68pp. [14 pages of publisher's ads]. Original grey paper wrappers with white lettering on the covers, specially mounted on grey cloth boards for Stieglitz. Pages uncut. Dated July, 1910. Cover design by Eduard Steichen. This is issue #31 of the seminal quarterly art photography publication, edited and published by pioneering photographer Alfred Stieglitz (1864-1946). It contains a total of 12 photographic plates by acclaimed photographer Frank Eugene (1865-1936). Also included are various essays and articles on photography from a number of notable and historically important contributors to the field, including photographers and art critics, many of whom were members of or associated with Alfred Stieglitz's Photo-Secession movement. The 12 images by Frank Eugene are comprised of an initial 8 portraits of "H.R.H Rupricht, Prince of Bavaria", German painters "Fritz von Uhde", "Prof. Adolf Hengler" and "Prof. Franz von Stuck", his famous image of painter Willi Giger, "Prof. Adolf von Seitz", world chess champion "Dr. Emmanuel Lasker and His Brother", and German writer "Dr. Georg Hirth". The final 4 images are "Kimono - Frl. v. S", "Frau Ludwig von Hohlwein", "Nude - A Child" and "Direktor F. Goetz". Unfortunately the images "Hortensia" and "Nude - A Study" (which are listed) are missing, and appear to have never been bound in. All images are finely printed in b/w or sepia-toned photogravure on tissue paper. Some of these images are among photographer's more famous works. Text content includes, "The New Thought Which is Old", by art critic Charles H. Caffin (1854 -1918), "The Four Dimension From A Plastic Point of View" and "Chinese Dolls and Modern Colorists" by American painter Max Weber (1881-1961), "The Brain and the World (Dedicated to Eduard Seichen)" by American journalist, critic, essayist Benjamin De Casseres (1873-1945), and "What is Beauty?" by photographer, writer and art critic Joseph T. Keiley (1869-1914), among other interesting essays. The final 14 un-numbered pages contain a full list of Photo-Secession members and beautifully printed period advertisements for photography-related businesses. Spine sunned, with light rubbing and a few small closed tears to the head and tail of the spine. Light smudges to the back cover. Interior with the title page and the photographic plates for Rupricht, Prince of Bavaria and Emmanuel Lasker are detached but present. Starting at after the front endpapers and p.22. All images clean and vibrant. Binding in in very good, interior in very good- condition overall. * Agnes Ernst Meyer (1887-1970) was an American journalist, philanthropist, civil rights activist, and art patron. She was a close collaborator and friend of photographer Alfred Stieglitz, with whom she publishing the arts and literary magazine "291" (from 1915-916). She first encountered the work of photo-secession group, when she chanced upon Stieglitz's Gallery 291, while work as a reporter for the New York Sun newspaper. She was one of the first female journalists to work at the paper. Due to this fact Stieglitz often referred to her as the "Sun Girl". Along with Katharine Rhoades and Marion Beckett she was known as the one of "The Three Graces" of the Alfred Stieglitz artistic circle. She is well known for her political activism throughout her life on behalf many causes, including public education and racial equality in America.

Seller: ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB), Santa Monica, CA, U.S.A.

Stieglitz, Alfred; J. Craig Annan; Henri Matisse; Gordon Craig; Clarence H. White. CAMERA WORK XXXII. Number 32. A Photographic Quarterly Edited and Published by Alfred Stieglitz.. Alfred Stieglitz, New York, NY, 1910.

Price: US$2500.00 + shipping

Condition: Very Good

Description: 48 pages of text followed by [xiv] of advertisements. The overhanging (yapped) edges of the original printed gray wrappers/covers are mostly lacking, as is commonly found. The spine is mostly intact but suffers from chipping to the extremities, and thin lines of vertical cracking; protected in archival mylar. There is cracking to the textblock, remaining intact but delicate. Issued with 5 plates by J. Craig Annan, 2 plates by Henri Matisse, one plate by Gordon Craig, and one plate by Clarence H. White; COMPLETE. Includes an additional small plate tipped-in on the final page of advertisement by Alvin Langdon Coburn, which is an advertisement for his book "New York". Except as described below, the plates are clean and are free from creasing, foxing, spotting, toning and damage; minimal offsetting to the blank pages facing each plate. Except as described below, the original double spot-mounts of each image and the original double spot-mounts of each mounting page remain intact. Plate I). East & West. II). Man Sketching. III). Harlech Castle. IV). Bolney Backwater. V.) The White House - image detached. I). [Matisse] Photogravure of Drawing - image detached. II). [Matisse] Photogravure of Drawing. I). [Craig] Ninth Movement - minor paper defect to bottom margin of print, not affecting the image. I). [White] Alvin Langdon Coburn and His Mother. Associate editors include Joseph T. Keiley, Dallet Fuguet, J.B. Kerfoot and Paul B. Haviland. First edition.

Seller: Kurt Gippert Bookseller (ABAA), Chicago, IL, U.S.A.

Stieglitz, Alfred. Camera Work: Issue Number 31. Alfred Stieglitz, New York, 1910.

Price: US$2600.00 + shipping

Description: FIRST EDITION of issue number 31 of Camera Work complete with 14 original photogravures, all by Frank Eugene. Texts by Charles H. Caffin, Max Weber, William Sharp, Benjamin De Casseres, S. H., Leonard Van Noppen, and Joseph T. Keiley. Photogravures entitled (in the order they appear) H. R. H. Rupprecht, Prince of Bavaria, Fritz v. Uhde, Prof. Adolf Hengeler, Prof. Franz v. Stuck, Willi Geiger, Prof. Adolf v. Seitz, Dr. Emmanuel Lasker and His Brother, Dr. Georg Hirth, Kimono-Frl. v. S., Frau Ludwig von Hohlwein, Nude-A Child, "Hortensia," Nude-A Study, and Direktor F. Goetz all by Frank Eugene. Containing articles entitled "The New Thought Which Is Old" by Charles H. Caffin, "The Fourth Dimension from a Plastic Point of View" by Max Weber, "Thoughts-From a Note-Book" by William Sharp, "The Brain and the World" by Benjamin De Casseres, "Visions of the Nude" and "De Zayas" by S. H., "The Land of Delusion" by Leonard Van Noppen, "Chinese Dolls and Modern Colorists" by Max Weber, and "What is Beauty?" by Joseph T. Keiley. New York: Alfred Stieglitz, July 1910. Quarto (23 cm x 35 cm, approx. 9" x 12"), original gray wrappers. General edgewear to fragile wrappers with loss to spine. Front cover detached. RARE.

Seller: Manhattan Rare Book Company, ABAA, ILAB, New York, NY, U.S.A.

[CAMERA WORK]. Stieglitz, Alfred, editor. CAMERA WORK. ISSUE NUMBER XXIX. Camera Work, NY, 1910.

Price: US$4750.00 + shipping

Description: 4to., 62 pp., complete with 14 hand-pulled photogravures, (12) pp. adverts. Custom binding of full tan calf, with black and gilt label on front and stamped leather label on spine. The original printed wrappers are bound in. Very slight foxing to endpapers, else fine. Ten photogravures by George H. Seeley and four by Marius De Zayas of sketches. The custom binding was created to compliment the design of Camera Work's printed wrappers.

Seller: Andrew Cahan: Bookseller, Ltd., ABAA, Akron, OH, U.S.A.

Stieglitz, Alfred. Camera Work: Issue Number 29. Alfred Stieglitz, New York, 1910.

Price: US$5900.00 + shipping

Condition: Fine

Description: FIRST EDITION of issue number 29 of Camera Work, complete with 14 original photogravures, including 10 by George H. Seeley and 4 by Marius De Zayas. Edited and published by Alfred Stieglitz. Texts by Temple Scott, Leonard Van Noppen, Benjamin De Casseres, S. H., J. B. Kerfoot, Fiona Macleod, and Joseph T. Keiley. Photogravures entitled (in the order they appear) Girl with Bowl, Autumn, The White Screen, The Artist, Conspiracy, Nude-The Pool, White Trees, Spring, No. 347, No. 356 all by George H. Seeley; Benjamin De Casseres, Madame Hanako, Ruth St. Denis, and Mrs. Brown Potter all by Marius De Zayas. Containing articles entitled "The Terrible Truthfulness of Mr. Shaw" by Temple Scott, "A Branch of Cherry Blossoms," "The Sphinx" by Leonard Van Noppen, "The Physiognomy of the New Yorker" by Benjamin De Casseres, "That Toulouse-Lautrec Print!" by S. H., "The Phenix in the Embers" by J. B. Kerfoot, "Ahecall" by Fiona Macleod, and "Soul Dreams" by Joseph T. Keiley. New York: Alfred Stieglitz, January 1910. Quarto (23 cm x 35 cm, approx. 9" x 12"), original gray wrappers. General edgewear to fragile wrappers but otherwise an exceptionally fine copy. Mrs. Brown Potter loose in mount; Nude-The Pool unglued from mount. RARE, particularly with spine intact.

Seller: Manhattan Rare Book Company, ABAA, ILAB, New York, NY, U.S.A.